You now also get a Non‑Unmixed layer as a final catch‑all although, in the various example tracks I unmixed during testing, very little material found its way here. ![]() The dialogue now includes a new layer option - Guitar - that has been added to the existing Vocal, Drum, Bass, Piano and Other layers. The advances shown within the main Song unmixing process easily demonstrate the sort of progress made. In SLP10, the expanded selection of umixing processes now has its own dedicated menu. I was impressed with the progress offered by SLP9 but, just 12 months later, SLP10 represents another significant step forward.Īs well as the improved Song unmixing, the new Unmix menu has other additional unmixing options. Underpinned by AI algorithms, software like SpectraLayers has taken the required unmixing processes to entirely new levels. Whatever your take on the world of remixing (extracting the vocal from one song and embedding it into a different backing track) or karaoke (where the vocal is removed to leave the backing track for others to sing over), both have a huge and active user base. SLP10 still does those tasks, but if anything has pushed spectral editing into the wider music production consciousness, it is the addition of ‘unmixing’. When spectral editing first appeared, its appeal was primarily because of its unique capabilities for tasks such as audio restoration (noise reduction, click removal, etc) or forensic audio analysis. It’s certainly true that the v10 headlines are dominated by AI‑based developments and I’ll therefore focus primarily on those features, both improved and new, for this review. That said, given that so much of what SLP does under the hood is built on AI‑based algorithms, perhaps the current speed of development is not so surprising. However, with this representing the 10th major update in 10 years (the last five of those under Steinberg’s ownership), even some regular SpectraLayers users might be struggling to keep up. Steinberg have kept up a very rapid rate of progress since adding SpectraLayers to their product line‑up in 2019. ![]() I would rather see Steinberg Activation Manager auto-activate a paid SpectraLayers licence even if SpectraLayers One is available.Underpinned by rapid developments in AI technology, SpectraLayers Pro 10 promises some remarkable advances in performance. The work-round is straightforward: as you said, manually activate your paid SpectraLayers licence in Steinberg Activation Manager. ![]() If you have Cubase 12 or Nuendo 12 activated, Steinberg Activation Manager will not auto-activate a SpectraLayers Pro or SpectraLayers Elements licence, so SpectraLayers starts as SpectraLayers One. ![]() In this case, Steinberg Activation Manager auto-activates an available SpectraLayers Pro or SpectraLayers Elements licence. If you do not have Cubase or Nuendo activated, the SpectraLayers One feature set is unavailable. Makes me now think, i asked it once, never got the answer what is the resolution setting, it is of course, i think, overlapping windows… but other thread…Īs I’ve suggested in other threads, this is arguably a bug in Steinberg Activation Manager. That is the most confusing, it does not show itself… that easily, o well, in the start menu…ĮDIT: and enjoy the new version i have the Pro… (update from Pro 8… and Pro 8 from… etc…), it is great new version! the workflow is much much improved, VST3 make sense now, for me… (perhaps indeed the Reverb plugins that act sometimes strangely… but that can also be the source layer, with well, a Reverb has a tail, and wel… not important now…).Īnd unmix levels great for sounddesign, already have a project, that i will make variants within, with uminx levels, own sample new sounds to found in the spectral underground… It is indeed confusing, why the Steinberg Download Assistant, also do not activate.īut hey it is in the name, but it installs also, indeed the Steinberg Activation Manager alongside (with no desktop shortcut). Haha, thanks, no legend, but legendary, perhaps, hahaha.
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